{"id":1764,"date":"2025-03-14T13:27:46","date_gmt":"2025-03-14T13:27:46","guid":{"rendered":"https:\/\/www.simsa.at\/art-prints-and-serigraphs\/"},"modified":"2025-04-21T18:11:22","modified_gmt":"2025-04-21T18:11:22","slug":"art-prints-and-serigraphs","status":"publish","type":"page","link":"https:\/\/www.simsa.at\/en\/uses\/art-prints-and-serigraphs\/","title":{"rendered":"Art prints and serigraphs"},"content":{"rendered":"\t\t
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Art prints and serigraphs<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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Special printing techniques for art prints and publications of artists, galleries and museum stores.<\/h3>

We offer here different techniques and possibilities<\/p>

Serigraphs<\/h3>

Serigraphs<\/strong>, a technique already practiced by famous Andy Warhol, enjoy a high value in collector’s circles. These are\u00a0art prints made in the screen printing process<\/strong>, also called\u00a0Serigraphy<\/strong>. These special prints score with their rich and thick-layered color application as well as the ability to add effect pigments.<\/p>

Real metallic art prints<\/h3>

We can also reproduce pictorial\u00a0artworks<\/strong>\u00a0that use\u00a0metallization such as gold leaf<\/strong>or golden acrylic paint<\/strong>. A classic example is reproductions of paintings by the painter Gustav Klimt, which sell well especially in Austrian city tourism. Also modern sculptural artists, who work with metal, can get exhibition posters and catalogs in the appropriate metallic optic. In addition to\u00a0gold, silver and copper<\/strong>, there is a wide range of\u00a0metallic chromatic colors as well as hologram effects for art prints<\/strong>.<\/p>

Exceptional materials for art prints and exhibition spaces<\/h3>

When it comes to\u00a0printing on unusual materials<\/strong>, we are also involved in the design of exhibition spaces. For example, the MUMOK in Vienna had around 300m\u00b2 of wall space wallpapered with real linen printed by us.<\/p>

Art prints are often printed on watercolor paper or museum paper board. However, we are often also asked to reproduce artistic designs on thick gray cardboard, flocked velvet, imitation leather, wood panels, plastic films, acrylic glass and crazy stuff like sandpaper or even – not joking – toilet paper.<\/p>

Imitation of artist’s own techniques<\/h3>

We particularly enjoy the\u00a0reproduction of an artist’s own technique<\/strong>\u00a0and the resulting look. The aim here is to reproduce the artistic work as realistic as possible. One successful example was a cover for Herbert Hinteregger, an artist who paints with the pasty ink of ballpoint pens. This leaves behind rough and thickly layered surfaces, which we have reproduced in a tactile way on his catalog cover for the art-interested public to instantly get the real touch of his work.<\/p>

Many painters also use the technical possibilities to optimize their work:<\/p>

Limited small series<\/h3>

Limited small series of art prints, for example, can\u00a0also<\/strong>\u00a0be\u00a0numbered<\/strong>\u00a0on the printing side.<\/p>

Preprints for overpainting<\/h3>

Preprints<\/strong>\u00a0of a basic image\u00a0on watercolor cardboard<\/strong>, for subsequent\u00a0overpainting by the artist<\/strong>, enable a series of art prints of the same image, in which each painting is nevertheless individually different in color and style.<\/p>

Adaptation of paintings to exhibition spaces<\/h3>

Sometimes pictures are in an unfavorable size for the exhibition or should contribute more to the staging: We print these then accordingly enlarged and gladly also additionally in surprising kind of the presentation, for example if a picture comes along as a 4m diameter walkable floor surface to welcome the visitors.<\/p>

Mixed media<\/h3>

In addition to serigraphs or metallizations, there are often\u00a0other techniques for art prints<\/strong>, such as\u00a0inkjet<\/strong>\u00a0printing (“digital screen printing”),\u00a0embossing<\/strong>, partial\u00a0gloss varnishes<\/strong>\u00a0or\u00a0effect colors, such as neon colors or glitter pigments<\/strong>. In art circles, this is referred to as a “mixed technique” print.<\/p>

Art prints as corporate gifts<\/h3>

We also produce art prints for companies, for example as Christmas gifts to business partners or to decorate ones company rooms.<\/p>

\u00a0<\/p>

The following are some of the artists and art institutions for whom we have printed art prints or helped to design the covers of art catalogs and art books (the order in which they are named is random):<\/p>

Ines Doujak, Herbert Hinteregger, Christian Ludwig Attersee, Ona B., Tone Fink, Georg Nenz (Czernin), Gerhard Czervenka, John, Helmuth Parthl, Hermann Nitsch, Andreas Fogarasi, Wolfgang Paalen, Steirischer Herbst, Rosemarie Trockel, Piotr Szyhalski, Mounira Al Solh, Dr. Gottfried Reszner, Amanullah Mojadidi, Dana Sherwood, Horst G. Haberl, Boris Mikhailov, Alexander Rendi, MUMOK, Galerie Kolhammer, Galerie Ruberl, Belvedere, K\u00d6R Kunst im \u00f6ffentlichen Raum, CytoSorbents, Vianina, Mag.a Marie Theres Litschauer,…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Art prints and serigraphs Special printing techniques for art prints and publications of artists, galleries and museum stores. We offer here different techniques and possibilities Serigraphs Serigraphs, a technique already practiced by famous Andy Warhol, enjoy a high value in collector’s circles. These are\u00a0art prints made in the screen printing process, also called\u00a0Serigraphy. These special […]<\/p>\n","protected":false},"author":1,"featured_media":1286,"parent":1845,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1764","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/pages\/1764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/comments?post=1764"}],"version-history":[{"count":4,"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/pages\/1764\/revisions"}],"predecessor-version":[{"id":2370,"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/pages\/1764\/revisions\/2370"}],"up":[{"embeddable":true,"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/pages\/1845"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/media\/1286"}],"wp:attachment":[{"href":"https:\/\/www.simsa.at\/en\/wp-json\/wp\/v2\/media?parent=1764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}